تمظهرات تقنية الصور الحسيّة في شعر إبراهيم مصطفى الحمد (مقاربة تحليلية في ديوان «وَألقَيتُ بي» نموذجاً)
آرشیو
چکیده
إنَّ الصور الحسیّه هی آلیه من آلیات تشکیل الصوره الشعریه وتسهم فی تعمیق المعنی وتکثیف الدلاله، فلهذا یجمع بین المدرکات ویآلف بین وظائف الحواس بما یمنح تجاوباً جمالیّاً یعین علی إثراء الإمکانات الإیحائیه. إبراهیم مصطفى الشاعر والناقد العراقی المعاصر قد وظّف هذه الآلیه بکثره فی شعره خاصه فی دیوانه «وألقیت بی» الذی خصّه بأشعار ثوریّ تجاه قضایا الأمّه الإسلامیه والعربیه؛ وقد عبّر الشاعر فی هذا الدیوان عن حبّ الوطن وأبدیه الذود والدفاع عنه بأشکال تعبیریه رائعه ممّا دفعنا إلى دراسه الصور الحسیّه وأثرها على نفس المتلقّی ووقعها علیه وفق المنهج الوصفی والتحلیلی. ومن أهمّ ما توصّلت إلیه الدراسه فی نهایه المطاف أنَّ الشاعر بنى دیوانه على الصوره الحسیّه ووظّف فیه حواس الخمس: البصریه، الشمّیه، السمعیه، اللمسیه، والذوقیّه، واستخدم الصورتین البصریه والسمعیه أکثر من غیرها، فلعب هذان الحسّان دوراً محوریاً فی بنیه قصائده. کما کشفت الدراسه أنّ الصور الحسیّه فی قصائد الدیوان ساعد على تولید دلالات إیحائیه قویّه دفعت المتلقی إلى التأمّل وفتحت أمامه أبواب ممارسه ذهنیه وقراءه فاحصه لشعره.Remarking the technology of sensory images in Ibrahim Mustafa Al -Hamad's poetry ( Analytical in the Diwan of "I met me" as a model )
The sensory images are a mechanism of forming the poetic image and contributes to deepening the meaning and intensifying the significance, That is why it combines the perceptions and a thousand among the functions of the senses, which gives an aesthetic response that is appointed to enrich the suggestive possibilities. Ibrahim Mustafa Al -Shaer and the contemporary Iraqi critic has employed this mechanism a lot in his poetry, especially in his office, “I was thrown me”, which singled out him with revolutionary poems towards the issues of the Islamic and Arab nation; The poet in this Diwan expressed the love of the homeland and the eternity of defending and defending it in wonderful expressive forms, which led us to study the sensory images and its impact on the same recipient and its signed on it according to the descriptive and analytical approach. One of the most important things that the study ultimately reached is that the poet built his office on the sensual image and he employed the five senses: vision, taste, touch, hearing, smell. He used the visual and auditory images more than others, so these two Hassan played a pivotal role in the structure of his poems. The study also revealed that the sensory images in the poems of the Diwan helped to generate strong suggestive connotations that prompted the recipient to contemplate and opened the gates of mental practice and a closer reading of his hair.
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