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One of the most important structural studies is the examination of narrative techniques in the Quranic stories with the aim of showing the quality of the visual layers. To achieve this type of research, various models and methods are used. One of the interdisciplinary models is dramaturgy. Dramaturgy, as a theatrical function, seeks synergy within the text and displays actions to influence the audience and answer their potential questions; likewise, the audience's confrontational or interactive feelings with the work and structured analyses of the artistic work aim to determine the impact of the narrative and the longevity of the work. In this research, the story of Prophet Moses and Khiḍr (al-Kahf: 60ff) and a part of the story of Joseph have been studied using a descriptive-analytical method. The results show that the quality of using the dramaturgy of silence encompasses ten different and novel types, from authorial silence to causal silence. In these narrative techniques, the Quranic images do not, on their own, draw the narrative lines of the text, but rather are reflected in the domains of certain insights, concepts, and epistemological, cosmological, ethical, and aesthetic assumptions. These seemingly fragmented images are multi-referential and in their echo also include silence, making it a part of such frames. The narrative essence in the story of Khiḍr and Moses and Joseph is the mention of the meta-narrative in two realms: "First, the compositional actions and functions based on reality, and the second part, the descriptive and interpretive actions that recount the paratexts."

The stories of the Prophets ( Qaṣaṣ al-Anbīyāʼ ) in the Qur'an and the Old Testament (OT), while seemingly narrating shared figures, reflect two distinct conceptual frameworks at the level of structure, function, and message. This article employs a comparative approach to examine the fundamental differences between these two texts in narrating the Prophets' stories. It demonstrates that the Qur'an presents these narratives as a tool for individual spiritual development, social reform, and the realization of Divine Laws (Sunan Ilahi) in history. In contrast, these stories in the OT are predominantly ethnocentric, historical, and confined to the fate of the Israelites. In the Qur'an, the Prophets are universal models for combating oppression, inviting to Monotheism, and establishing a Monotheistic Nation; whereas in the OT, they often function as tribal leaders or local advisors. These differences have profound implications in the educational, theological, and civilizational spheres, such that the Qur'anic stories have served as a civilizational and epistemic pillar of the Islamic world, shaping the Ummah system and its universal values. Conversely, the OT's perspective on these stories largely serves to establish ethnic and territorial identity. The present article uses a descriptive-analytical method, analyzing the content of the Holy Qur'an and the Old Testament, to investigate this distinction and its functions across social, historical, and doctrinal dimensions. In the Qur’an, prophets are introduced as universal exemplars—leaders in the struggle against injustice, advocates of monotheism, and architects of a unified, God-conscious community. In the Hebrew Bible, however, prophets typically function as tribal leaders or local moral reformers. These divergent portrayals carry far-reaching implications in theological, educational, and civilizational domains. Qur’anic prophetic narratives, as a foundational epistemic and civilizational component of Islamic thought, have played a pivotal role in shaping the vision of a global ummah and its ethical values. In contrast, the Hebrew Bible’s rendering of prophetic stories serves predominantly to affirm national and territorial identity. This article employs a descriptive-analytical method, using content analysis of the Qur’an and the Hebrew Bible, to investigate this structural and functional divergence and its ramifications in the social, historical, and doctrinal dimensions.

In this paper, the researcher intends to show the Fantasy world, like the real world, suffers from racial issues and cultural diversities as well. Moreover, the main claim of this article is to depict that the tensions and battles that exist in the selected novels are the result of diaspora, dislocation, and cultural diversities as the subjects attempt to adjust or fail to adapt themselves. In this research, Hall’s theory is used as the main framework. In the selected works Lord of the Rings and The Hobbit, the idea of dislocation is the dominant notion among the characters of the story. The characters might not belong to a specific region while they live there and they would not be accepted by the other character. Consequently, they become confused about their own identity and regard themselves as hybrid subjects. This means that the notion of hybrid identity is dominant among several characters in the series. Consequently, the characters have different features that might be contradictory. ecocriticism has other disciplines such as environmental justice and deep ecology that remain open to trace them in the selected novels. In addition, applying other approaches, such as psychoanalysis, to the novels could also be beneficial, since when searching for the purpose of this study, many interesting issues on the novels and discussions can be read.

Among the significant and yet controversial archaeological remains of the Sasanian period are the Chahār Tāqis and fire temples of this era. Chahār Tāqis reflect historical and architectural engineering points that, despite their simplicity in construction, have managed to endure for many years. Although the primary function of Chahār Tāqis was mainly religious, in some cases, they could also serve as commemorative monuments or guideposts. Despite being constructed over a long period and scattered across a vast geographical area throughout the Iranian plateau, Chahār Tāqis exhibit very similar characteristics in construction techniques and spatial positioning. The abundance, distribution, and expansion of Chahār Tāqis in the studied region necessitate multiple research topics from architectural, functional, and religious perspectives. Given the prevalence and spread of Chahār Tāqis in the Isfahan region, this study adopts a descriptive-analytical approach to compare the architectural elements of Sasanian fire temples and Chahār Tāqis in Isfahan province, as well as the metric dimensions of each architectural element. In addition to studying the architectural and decorative elements used in prominent Chahār Tāqis of the region, such as those in Niasar, Shirkuh, Nakhlak, and Qal'eh Dar, the reasons for their abundance in this region compared to other areas during the Sasanian period and their potential uses in the early Islamic period are also explored. Furthermore, the positioning of these structures in relation to nearby natural and unnatural phenomena has been carefully examined. Based on the dimensions and surface distribution of the mentioned Chahār Tāqis, it can be concluded that these structures were likely sites for the Aduran or Dadgah fires.